Prem Sahib (b. 1982, London). Recent exhibitions and performances include Alleus, co-commissioned by the Roberts Institute of Art and Somerset House Studios, at Somerset House and Edinburgh Art Festival (2024); The Life Cycle of a Flea, Phillida Reid, London (2023); and forms of the surrounding futures, the 12th Göteborg Biennial for Contemporary Art, curated by João Laia (2023). Sahib’s work has been shown widely institutionally, including solo exhibitions Balconies, Kunstverein Hamburg (2017) and Side On, ICA London (2015) as well in group shows at Sharjah Art Foundation, Sharjah, UAE; Migros Museum, Zürich, Switzerland; Whitechapel Gallery; Hayward Gallery, London; KW Institute of Art, Berlin, Germany; Des Moines Art Centre, Iowa, USA; and the Gwangju Biennale, South Korea.
Prem Sahib
Documents of a recent past
Documents of a recent past is a new exhibition by Prem Sahib (b. 1982, London) that brings together image, text, furniture and sound that centre around and depart from The Backstreet — London’s oldest and longest-running gay leather bar, which closed in 2022 after almost four decades.
Sahib works primarily in sculpture, installation, performance, sound, video and photography. Sahib’s practice embodies a poetic and provocative “destabilised minimalism”, referencing the architecture of public and private queer spaces, structures that shape individual and communal identities, senses of belonging, alienation and confinement.
Located in Mile End, East London, The Backstreet first opened in 1985 and was popular amongst the leather and fetish community. Following Sahib’s photographs of the gay saunas Chariots Shoreditch and Chariots Waterloo in 2016, the artist was prompted to document the interior of The Backstreet in 2017 due to rumours of its closure as the result of ongoing proposals for the development of the building.
The images, taken by Sahib and photographer Mark Blower, were primarily conceived as a social record of the space, and are exhibited publicly for the first time in this exhibition. Extending their enquiries into interiority, marginal spaces and archival practices, Sahib will also present a new audiovisual work-in-progress, Footnotes for Heros. This work pairs text notations with an audio recording made at The Backstreet night, ‘Club Heros’, in 2015, alongside furniture from the venue.
Mixing the personal and political, abstraction and figuration, Sahib’s formalism is suggestive of the body as well as its absence, drawing attention to traces of touch and frameworks of looking that evokes an emotional response from minimalist language.
Opening Preview: Tuesday 14 January 2025, 6-9 pm. Free, all welcome.
Prem Sahib, The Backstreet, 2017. Images courtesy of the artist and Phillida Reid, London. Photography by Prem Sahib and Mark Blower.