The Neo Naturists

Studio Voltaire presented a retrospective of the 1980s performance group the Neo Naturists, the first historical survey of their work in a public institution.

The Neo Naturists are an important live art collective initiated in 1981 by Jennifer Binnie, Christine Binnie and Wilma Johnson. The group emerged as a part of London’s subculture that arose from the squatting community in the aftermath of Punk and the emergence of the New Romantic club scene and the advent of Thatcherism. During this time a creative energy developed in the UK that sat outside established institutional practices of the time, creating its own network of activities, events, economies and personalities.

The Neo Naturists were part of a cultural network of collaborators and peers that included figures such as BodyMap (Stevie Stewart & David Holah), Leigh Bowery, James Birch, Jill Bruce, Michael Clark, David Dawson, Peter Doig, Boy George, Maia Norman, John Maybury, Sophie Muller, Simon Foxton, Bruce Lacey, Andrew Logan, Grayson Perry, Genesis P.Orridge, Psychic TV, Derek Jarman, Princess Julia, Marilyn, Philip Sallon, Test Department, Jill Westwood, Dencil Williams and Cerith Wyn Evans.

The group established quite organically, whilst Christine Binnie and Wilma Johnson had been experimenting at St Martin’s College with body painting as a way to expand past the canvas, Jennifer Binnie and Grayson Perry had also been using body paint as a way of exploring body image and identity at Portsmouth Polytechnic. United by a belief in the radical and subversive potential of body painting, the Neo Naturists took these private experiments to clubs and parties, which quickly developed into more formalised parts of the group's artistic practice.

Wearing little more than body paint, the group achieved a unique artistic voice, which contrasted with the highly polished aesthetic of 1980s London. In a cultural landscape that was decidedly slick, urban and modern, the Neo Naturists’ work celebrated a particular kind of anarchic innocence, making frequent references to the English pastoral and homely pursuits such as camping, girl–guiding and harvest festivals.

In the Neo Naturists’ performances, the body was both spectacle and metaphor for the social body. Presenting the nude, painted body with an almost Edenic lack of embarrassment, their performances were “bodypositive” and celebratory, in stark contrast to the increasingly commodified, ‘sexually packaged’ body widely promoted in the 1980s.

This retrospective included archival materials from The British Film Institute, The Michael Clark Company and the Neo Naturist Archive; alongside original works by Christine Binnie, Jennifer Binnie, Grayson Perry, John Maybury and Wilma Johnson. The exhibition offered an opportunity to experience a significant selection of the Neo Naturists’ extraordinary practice first-hand. The Neo Naturists have been neglected within contemporary discourse, yet the relevance and potential of their work and methods remains as sharply radical and transformative today as it was more than three decades ago.

This exhibition was supported by Thomas Dane, The Henry Moore Foundation and Arts Council Grants for the Arts. A Night with the Neo Naturists was supported by Yana and Stephen Peel.

  1. Catherine Wood, Tate Senior Curator of International Art (Performance) in conversation with the Neo Naturists, 28 July 2016

    A Night with the Neo Naturists. 24 August 2016, offsite at the ICA, London.

    An evening of film, live performances and music evoking the spirit of the original works’ anarchic innocence. The event was the Neo Naturists’ first live performance with the full original line up of founding members since 1986, and included a special collaborative performance with seminal post-punk band The Raincoats.

  2. This free Neo Naturists publication includes texts on key works, archival materials and a commissioned text by Louisa Buck. Designed by An Endless Supply.

  3. Installation view:

    The Neo Naturists, Installation View, Studio Voltaire, 2016. Credit: Andy Keate.

    Archive Imagery:

    Sellotape dresses with Marilyn, Crowndale Road, 1984

    Flashing in the British Museum, Christine Binnie body painted and photographed by Wilma Johnson, British Museum London, 03 March 1982

    Neo Naturist Cheer Leaders with Leigh Bowery and Michael Clark, Royal Opera House, London, 09 Feb 1986 Christine Binnie painted and photographed by Wilma Johnson, Central St Martins, London, 1980 Swimming and Walking Experiment Centre Point Fountains, Tottenham Court Rd London, August 1984 All images courtesy of the Neo Naturist Archive.

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