Tender Living: AMI Club
Danielle Brathwaite-Shirley, Juliet Jacques, Maz Murray, Ames Pennington and Campbell X

19 January–21 September 2027

Tender Living AMI Club is a new artists’ moving-image screening programme that foregrounds worldbuilding and highlights the vital plurality of Trans and non-binary perspectives in the UK’s contemporary moving image practice.  

The programme will premiere newly commissioned short films by Juliet Jacques, Campbell X and Maz Murray, alongside works by Ames Pennington and Danielle Brathwaite-Shirley. Screenings will take place bimonthly at Studio Voltaire from January 2027.

The film programme showcases a diverse array of cinematic languages, from archival excavations to surreal road trips. The works cover subject matter as diverse as the collapse of the Soviet Union, Irish folklore, the global impact of indigo production, Black Trans histories and Top surgery, whilst experimental techniques further expand the programme’s formal boundaries.

Juliet Jacques' new film, The Lives and Deaths of Remarkable Monroes, 2026, blends original and archival footage to reanimate the complex life of queer Russian artist Vladislav Mamyshev-Monroe (b. 1969–d. 2013), whose name was borrowed from his muse, Marilyn Monroe. A central figure in the generation of artists who came to prominence in 1980s Leningrad, Mamyshev-Monroe became known for photographs, videos and performances in which they took on the guise of historical figures and personalities, including the Pope, Napoleon and Elizabeth Taylor. Jacques’ film traces Mamyshev-Monroe’s life as a dedicated mythmaker, whose complex friendships with fellow artists unfold as together they navigate the shifting realities of a new and ‘free’ Russia after the collapse of the Soviet Union in 1991. The film explores the instability of truth, questioning who constructs ‘reality’ and what happens when it escapes our control.

Maz Murray’s new work, When the devil comes to you, he comes wearing tabis, 2027, follows a queer couple who escape their asbestos-ridden house share for a surreal road trip to the west of Ireland, where they encounter the devil at a dancehall. Utilising satire and the absurd, Murray’s new film draws on family history, whilst foregrounding DIY cinema techniques ranging from spy cams to night vision, and features an original score by Glasgow-based composer and artist Rubie. When the devil comes to you, he comes wearing tabis is co-commissioned by HOME, Manchester. 

Campbell X’s powerful new short, Indigo, 2027, is a poetic meditation on Indigo as a symbol of transcendence and transformation. His works explore queer memory and desires erased by colonisation. The film traces Indigo dye's history, from the brutal extraction of labour during the Transatlantic Slave Trade to the Industrial Revolution and colonialism, alongside its protective spiritual role in African Indigenous religious practices. Indigo utilises an original script by Campbell X, combined with found and original footage, to explore aesthetics and thematics that subvert binary genders and nationalistic borders, echoing the parts of our identities that resist divisive eugenicist labelling. 

Ames Pennington’s TOPS, 2024, is a genre-busting mockumentary inspired by the chaotic, brash and clueless style of 1990s British TV. Ames Pennington plays an intrusive TV presenter, who delves into the lives of four individuals who have had Top surgery, in a desperate attempt to make their first Trans friend. The interviewees include a powerlifter and aspiring gay-games Olympian, a housing-officer-cum-actor, an Essex filmmaker, and an Equality, Diversity and Inclusion specialist who occasionally models. They open up their lives, homes and, in one case, a bag of dicks, to the invasive and neurotic, yet lovable Ames Pennington. This vibrant celebration trades clinical detachment for joy and wit, capturing the lived realities of its subjects with an infectious, radical charm.

HOW CAN I CENTRE BLACK TRANS BODIES IN THIS SPACE? is a selection of animated shorts by Danielle Brathwaite-Shirley, comprising SEEUSINTOUS, 2021; Unarchived Adventures, 2018; and Resurrection Lands, 2023. Brathwaite-Shirley’s urgent and ongoing work archives Black Trans histories through game environments, intertwining lived experience with fiction to imaginatively retell stories of people they seek to archive. The title of the series is both a quote from SEEUSINTOUS, 2021, and an experiment which questions how institutions can effectively centre Black Trans bodies and perspectives. 

Designed as sites for community experience and collaborative exchange, each screening will be accompanied by workshops, directors' introductions, panel discussions, programme notes and social events.

The programme will tour across the UK, with support from arts organisations including FACT Liverpool and Yorkshire Contemporary, Leeds, in 2027–2028. 

Tender Living AMI Club is a cornerstone of Tender Living, Studio Voltaire’s national four-year programme of interlinked collaborative projects, commissions, exhibitions, creative research and events. Tender Living works to provide sustainable environments and support structures for gender-diverse practitioners and audiences to thrive. The programme builds on Desperate Living (2020–2022), which explored LGBTQIA+ healthcare through experimental programming and highlighted persistent barriers for the LGBTQIA+ community and the critical underrepresentation of Trans artists within the sector. The programme is supported by Arts Council England and Paul Hamlyn Foundation.

Screenings

  • Ames Pennington, TOPS, 2024, 69 minutes

Tuesday 19 January 2027, (7–9 pm)

  • Juliet Jacques, The Lives and Deaths of Remarkable Monroes, 2026, 30 mins

Tuesday 16 March 2027, (7–9 pm)

  • Maz Murray, When the devil comes to you he comes wearing tabis, 2026, 20 minutes 

Tuesday 25 May 2027, (7–9 pm)

  • Campbell X, Indigo, 2027, 10 mins

Tuesday 20 July 2027, (7–9 pm)

  • Danielle Brathwaite-Shirley, HOW CAN I CENTRE BLACK TRANS BODIES IN THIS SPACE? (59 mins) | Short film programme 

SEEUSINTOUS, 2021 (12 mins)

Unarchived Adventures, 2018 (8 mins)

Resurrection Lands, 2023) (39 mins)

Tuesday 21 September 2027, (7–9 pm)

  1. Danielle Brathwaite-Shirley lives and works between Berlin and London. Working predominantly in animation, sound, performance and video game development and with a background in DIY print media and activism, the artist’s practice focuses on intertwining lived experience with fiction to imaginatively retell stories of people they seek to archive. Brathwaite-Shirley utilises interactive technologies to create participatory spaces that challenge traditional narratives and encourage active engagement, ultimately creating experiences in which the audience itself becomes the main medium. 

    Their projects often take the form of immersive video games, where players navigate choices that confront their assumptions and biases, fostering deeper conversations about identity, privilege and systemic oppression. Through their innovative use of digital media, the artist not only preserves histories but also envisions inclusive futures where the voices of those who are ignored or erased are central. Their work is both ‘archive and insurgency’, a catalyst for dialogue that invites audiences to reflect on their roles within broader societal structures. 

    Danielle’s work has been the subject of solo exhibitions and performances at institutions such as Serpentine, London, 2025; LAS Art Foundation, Berlin, 2024; Studio Voltaire, London, 2024; Savannah College of Art and Design (SCAD), Savannah, 2023; Villa Arson, Nice, 2023; FACT, Liverpool, 2022; David Kordansky Gallery, Los Angeles, 2022; Project Arts Centre, Dublin, 2022; Skånes konstförenings, Malmö,2022; arebyte Gallery, London, 2021; QUAD, Derby, 2021; Buffalo AKG Art Museum (formerly Albright-Knox Art Gallery), Buffalo, 2021.

    daniellebrathwaiteshirley.com 

  2. Juliet Jacques is a writer, filmmaker, broadcaster and academic based in London. She has published seven books, including Trans: A Memoir, 2015; two short story collections, Variations, 2021, and Front Lines: Trans Journalism 2007-2021, 2022; and a novella, Monaco, 2023. Her fiction, journalism and essays have appeared in the Guardian (including her ‘Transgender Journey’ column, longlisted for the Orwell Prize in 2011), New York Times, Frieze, London Review of Books, and many other publications; her short films have screened in galleries and festivals across the world, including BFI Flare, Athens International Film and Video Festival, and WIELS Contemporary Art Centre. She teaches at the Royal College of Art and elsewhere, and hosts the arts discussion podcast Suite (212). She has played football for Clapton Community FC, Horley Town and Surrey.

    julietjacques.com

  3. Maz Murray is a London and Essex-based artist working across moving image, writing and performance, using satire, surrealism and melodrama to explore queer and working-class life. Recent publications, solo exhibitions, awards and commissions include: Jaw Filler, a detective novel by Maz Murray and Charlie Markbreiter published by Montez Press, 2025, Principal Boy, Focal Point Gallery, Southend, 2024; LOEWE FOUNDATION / Studio Voltaire Award, 2023; and the ICA Artist Film Commission, 2018. Recent writing on the artists’ work includes: ‘The Melodrama of Maz Murray’, Juliet Jacques, Frieze, 2024; ‘What I Saw This Week’, The White Pube, 2024; and ‘Back to School: Maz Murray on Britney Spears, Showbiz and Filmmaking’, Christina Donoghue, SHOWstudio 2024. 

    mazmurray.com

  4. Ames Pennington is a filmmaker and director that grew up in the arse end of the north; they have Robbie Williams to thank for that line. Their work plays with the tropes of documentary and TV formats, often working with non-actors playing themselves, or a version of themselves, part scripted – part improv. Blurring the line between fact and fiction is where Ames believes the interesting things happen. Growing up, TV was their teacher, so comedy and pop culture run through everything they make. Humour is used to playfully challenge and raise questions about class, regionality, gender and sexuality, and the ways they intersect through a skewed but recognisable pop cultural lens.

    Pennington’s debut feature, TOPS, is a genre-busting mockumentary inspired by 90s British reality TV; think Alan Partridge – but trans. It premiered at BFI Flare 2024 (Evening Standard Top 10 Pick), won Bradford Queer Film Festival Audience Award 2024, and was BIFA Raindance Maverick Award 2024 Longlisted, leading to Pennington’s selection as a 2025 BAFTA Flare mentee. Their 2023 short WHERE'S DANNY? won Iris Prize's 2023 Community Award and they were a 2023 Screenshot finalist. Ames has recently finished FAMILY MISFORTUNES, 2026 exploring their family's complex history in a game show format, and STILL STANDING, 2026 a mockumentary about Figs in Wigs (a collective described by one reviewer as ‘the cheap cocaine of performance art’).

    amespennington.com

  5. Campbell X is a film/TV/theatre writer/director whose works explore queer memory and desires erased by colonisation. He directed the award-winning feature film STUD LIFE, 2012, which was voted one of the Top 10 Black British Feature Films ever made (The Guardian), one of the Top 8 Queer Films to Watch (British Film Institute) and one of the Top 25 Films of the Century (Ryan Gilbey, film critic). 

    His recent short film (Untitled), 2025, is an incantation to sacred Indigenous trans and non-binary ancestors we have forgotten. Campbell's second feature film, Low Rider, 2025, a road trip across the Western Cape region of South Africa, stars Emma McDonald and Thishiwe Ziqubu. It had its World Premiere in competition at Edinburgh International Film Festival 2025 and screened at BFI Flare and SCENE in Manchester 2026.

    linktr.ee/campbellx 

  6. FACT Liverpool is the UK’s leading centre for art, film and the creative use of technology. Located in the heart of Liverpool city centre, FACT Liverpool creates transformative experiences that spark the imagination and enrich lives. Home to three art galleries, four cinema screens and a Studio/Lab for artists, the centre provides platforms and opportunities for people to create, learn, experience and make sense of the world today. In 2023, FACT Liverpool celebrated 20 years of groundbreaking moments and unforgettable memories shaped by over 500 artists and more than 5 million visitors. 

    fact.co.uk 

  7. Yorkshire Contemporary commissions, produces and presents ambitious contemporary art, championing ideas that spark curiosity. Based in Leeds and working across West Yorkshire, we create opportunities for emerging and underrepresented artists. Through sustained support, networks and visibility, we help artists to thrive, while shining a spotlight on the region’s most exciting, diverse talents. Working beyond gallery walls, we create playful and stimulating encounters with art that invite people to explore, make, question and discover. Through partnerships with artists, communities and organisations, we make new things possible and open up more ways to experience the joy and power of art. 

    yorkshirecontemporary.org 

  8. HOME Manchester is the largest Arts Centre in the North and a registered charity, welcoming over 7 million visitors since opening. HOME features two theatres, five cinemas, five gallery spaces with thriving community engagement and artist development programmes. The gallery programme is characterised by cross artform collaboration and transgressive practices, exploring under-represented and alternative narratives. It has a strong history of commissioning and curating new work by international, UK and NW based artists, over the last 10 years and at Cornerhouse retrospectively. HOME works with artists on solo and group exhibitions, as well as artist-curated exhibitions, increasing vantage points and embracing alternative approaches to curation. HOME has worked with artists including Florence Peake, Tunji Adeniyi-Jones, Alvaro Barrington, Lubaina Himid and David Lynch. 

    homemcr.org 

    1. Danielle Brathwaite-Shirley, RESURRECTION LANDS, 2023. Film still. Courtesy of the artist.
    2. Juliet Jacques, Revivification, 2018. Film still. Courtesy of the artist.
    3. Ames Pennington, TOPS, 2023. Film still. Courtesy of the artist.
    4. Maz Murray, Principle Boy, 2024. Film still. Courtesy of the artist.
    5. Campbell X, Untitled, 2025. Film still. Courtesy of the artist.