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Berry Hill Silver Band performance

Performing together in London for the first time in two decades, the Berry Hill Silver Band presented a one-off performance as part of Hilary Lloyd, Very High Frequency.

This one-off performance was staged within a setting inspired by Potter’s fantasy sequences, including classics such as Early One Morning and Soldiers Chorus from Faust (A Beast With Two Backs), There Is A Green Hill Far Away (Cold Lazarus), Lily Marlene and We'll Meet Again (The Singing Detective), alongside tradituional marches and contemporary songs such as No Time to Die by Billie Eilish.

The Berry Hill Silver Band was founded in 1911 through the merger of a local temperance group and miners from Speedwell Colliery. During the 19th and 20th centuries, brass bands were a common feature of coal mining communities across the UK, with many, including Berry Hill, participating in union-led galas and demonstrations organised by the National Union of Mineworkers.

Based in Berry Hill, Forest of Dean, where writer Dennis Potter was born, the band had a long-standing connection to Potter, who briefly played with them as a young man. Potter set and filmed many of his works in the Forest of Dean, a region whose mining communities and rural, post-industrial character deeply shaped his writing. He frequently involved the band in his productions, including A Beast With Two Backs, Cold Lazarus and his early BBC documentary Between Two Rivers.

  1. Berry Hill Silver Band is a welcoming brass band, founded in 1911 and situated in the Forest of Dean, Gloucestershire. The band’s reputation for excellence has led to memorable film and TV appearances, thanks to Dennis Potter, a Berry Hill native. Potter commissioned the band to play in several of his productions, with further appearances including Songs of Praise and Meet the Ancestors, showcasing their talent to a wider audience. Since the 1950s, the Berry Hill Band has enjoyed a series of contest successes and community performances. They have won numerous awards at various contests, including the Gloucestershire Association Contest, the Stroud Contest, and the Severnsound Brass Band Contest 

    The band now performs a diverse repertoire of music regularly at events throughout the local area. For more information, or to join a rehearsal, visit here.

  2. Dennis Potter (b.1935—d.1994) was a journalist, novelist, cultural commentator, broadcaster, producer, director and playwright. Born in a mining village in the Forest of Dean, Gloucestershire and graduating from Oxford University, he briefly worked as a journalist and entered politics, unsuccessfully standing as a Labour candidate in the 1964 general election. However his most significant cultural and artistic contributions were made within the realm of British television drama, where he authored more than forty single plays, serials and adaptations. In 1959, Potter began work as a BBC trainee. While working on Panorama, he helped produce a segment on pit closures in the Forest of Dean, featuring his father and a family friend. Shortly after, he wrote and presented Between Two Rivers (1960), a deeply personal documentary on change in the area.

    Potter’s television writing career began in earnest in 1965 with four plays broadcast on the BBC’s The Wednesday Play, including Stand Up, Nigel Barton and Vote, Vote, Vote for Nigel Barton. These plays drew on personal experiences as a student in Oxford and in politics. Kenith Trodd, whom Potter had met during National Service in the Army’s Intelligence Corps, became a long-term collaborator during this time, playing a central role in the development of many of Potter’s key works including Pennies from Heaven (1978), Blue Remembered Hills (1979), Brimstone and Treacle (1976), and The Singing Detective (1986). The latter is Potter’s best remembered work for television, in which the protagonist’s illness closely parallels Potter’s own lifelong struggle with psoriatic arthritis. Prior to his death in 1994, Potter completed two final scripts, Karaoke and Cold Lazarus. He successfully proposed that the productions be a joint venture between rival broadcasters, the BBC and Channel 4, and the serials were transmitted posthumously by both channels in 1996. Though critical reaction was mixed, the joint production affirmed Potter’s much acclaimed legacy and marked a landmark collaboration in British television history.

  3. Dor Even Chen