A dimly lit gallery features an installation by Aki Sasamoto of illuminated display tables and framed cases on the walls, all showcasing small objects. The space has a modern, industrial feel with metal tables on castors, dark floors, and overhead lights casting soft glows on the exhibits.

Aki Sasamoto

4 February–19 April 2026

This new site-specific installation by Aki Sasamoto (b. 1980, Kanagawa, Japan) is the artist’s first solo institutional exhibition in the UK.

Sasamoto will produce a major site-specific installation that functions as both a sculptural environment and a performance set. Central to the work will be a custom-built, oversized griddle, drawing inspiration from both televised cooking shows and street food carts. In a new series of performances, taking place during the opening and closing weeks of the exhibition, the artist will directly activate the installation. Blurring the lines between pre- and post-production, her performances will unfold as live acts of drawing or choreography, where the manipulation of ingredients across the griddle's surface suggests a constantly changing composition. Through this new work, Sasamoto will develop her exploration of the poetics of everyday actions.

Sasamoto’s work incisively probes the tension between disorder and control. Her performances, which are often staged as vivid and digressive monologues, weave together fables, anecdotes and autobiographical fragments, inviting her audiences to retune their perceptions of the seemingly mundane.

The new installation develops from her observations of incidental activities and daily life – in this case, cooking large quantities of food on outdoor griddles. However, her analytical curiosity in systems and environments materialises in spontaneous experiments that examine the complex interplay between objects, people and their surroundings. Incorporating everyday items and contemporary detritus, her meticulously staged installation will function as a prompt or score for structured improvisation: challenging conventional definitions of sculpture and instead inviting active participation in her unfolding narratives.

Lead Programme Supporters: Japan House London and FOUNDATION FOUNDATION. Programme Supporters: Henry Moore Foundation, The Aki Sasamoto Exhibition Circle and The Studio Voltaire Council. Studio Voltaire’s 2025-2026 exhibition programme is supported by Cockayne Grants for the Arts. 

  1. Aki Sasamoto (b. 1980, Kanagawa, Japan) is a New York-based artist who works in performance, dance, installation, and video and teaches at Yale School of Art’s Sculpture Department.

    Key solo exhibitions include Para Site, Hong Kong (2024); Queens Museum, New York (2023-2024); the American Academy of Arts and Letters, New York (2023); The Kitchen, New York (2017); and SculptureCenter, New York (2016). She has participated widely in international exhibitions including the 59th Venice Biennale (2022); Aichi Triennale (2022); Busan Biennale (2022); Okayama Art Summit (2022); Kochi-Muziris Biennale (2016); Yokohama Triennale (2008); and the Whitney Biennial (2010). Sasamoto received the Calder Prize in 2023. A survey exhibition will be staged at the Museum of Tokyo from August to November 2025.

  2. Aki Sasamoto, Point Reflection, 2023. Installation view at Queens Museum, New York. Image courtesy of Queens Museum. Credit Hai Zhang