Drawing upon ancient traditions of mask-making, masquerade and ritual-based ceremonies, with a specific focus on interwoven practices within Britain, Nepal and the Caribbean, Maya Gurung-Russell Campbell engages in dialogue with these performative iterations of political resistance through object and image-based work, installations and video-performances that create space to explore the complex multiplicities within transcultural identity. Coming from a lens-based background, her foundation as an analogue photographer has evolved into working with time-based media such as 8mm film, dramatic monologue, improvised music and movement which is informed by jazz poetics. Taking Fred Moten’s conceptualisation of blackness as something “fugitive”, her practice uses the formal language of masquerade – masks, costume, sound and movement – to refuse and escape static modes of identity imposed upon the racialised body.
She completed a BA (Hons) in Photography from London College of Communication (2021), and was selected for Bloomberg New Contemporaries in 2021, launching her first solo show Folklore Imaginary in 2022 at 87 Gallery, Hull, supported by New Contemporaries and the Mead Fellowship (2022-2023). Maya exhibited in Every Woman Biennale at Copeland Park Gallery, London (2021), won first prize in Black Cultural Archives Windrush Waves Open Call (2020-2021), Brent 2020 Artist Residency, London; and currently works as an Artist Educator for Hayward Gallery, Southbank Centre.